Silk is a type of animal fiber that is created as a constructionof raw material for cocoons and cobwebs by some insects and arachnids. Some of the silk produced by these creatures can be used to manufacture and sold at a hight rate exquisite garments. At the wholesale level, the use of silk is almost completely restricted to the filaments that are extracted from the cocoons of domestic silkworms (caterpillars of several species of moths belonging to the genus Bombyx). Having one's roots in China Kong Lihang / China Stock Photography Library There is a lot of history and mythology around the beginning of silk production and weaving. The industry almost certainly got its beginnings in China, where, according to documents kept by indigenous peoples, it was established prior to the middle of the third millennium before the common era. After it was discovered that the about one kilometer long thread that makes up the silkworm cocoon could be unraveled, spun, and woven, silkworm farming quickly became a key component of China's rural economy. Silkworm cocoons are approximately 1,000 yards long. The wife of the mythical yellow emperor Huangdi is said to have been the one who taught the Chinese this technique, according to a Chinese tale. Throughout history, the empress has been ceremonially associated with the breeding of the silkworm. It is likely that damask weaving was used throughout the Shang dynasty, as tombs dating to the fourth to third centuries were discovered during excavations in 1982. Century BC as the first full clothing. The most significant accomplishment that the Song dynasty had in terms of silk manufacturing was the perfecting of the kesi, which is a very fine silk carpet that is woven on a small loom with a needle serving as the shuttle. 
It is believed that the Sogdian people of Central Asia were the first to invent the technique, which was then refined by the Uighur people and eventually adopted by the Chinese in the 11th century. It has been suggested that the word is a corruption of the Persian qazz or the Arabic khazz, both of which refer to silk and products made of silk. The term kesi, which literally translates to "cut silk," comes from the vertical gaps that are present between the areas of color that are caused by the weft threads that do not run across the entire width. In addition to being used for robes, silk panels, and parchment covers, kesi was also utilized in the process of painting being translated into tapestries. Plates made in the kesi style were taken to Europe during the Yuan dynasty and used in the construction of church vestments there. During the time of the Han dynasty, silk weaving developed into a significant industry and became one of China's most important exports. The Chinese silk was transported to Syria and then on to Rome via the ancient trade route known as the Silk Road, which passed through Central Asia. Silkworm breeding was done on the island of Kos between the 4th century BC and the 6th century AD, according to the Greek philosopher Aristotle. However, the technique would be lost until it was reintroduced to Byzantium via China in the 6th century AD. Textiles from the Chinese Han Date culture have been discovered in Egypt, in graves in northern Mongolia (Noin-ula), and in Loulan, which is located in Sino-Turkistan. Silk was given as a diplomatic present by the kings of Han, as well as being used to lure potentially dangerous nomads and weaken them by providing them with a touch of luxury. 
Brocade and embroidery, gauze, plain weave, and damask are some of the weaving techniques that were already in use in Mashan at the end of the Zhou period when the oldest Han fabrics were discovered in Mawangdui. These fabrics show how these techniques evolved over time. However, following discoveries abroad are primarily limited to damasks, which are fabrics that are woven exceedingly delicately in a variety of colors and typically have motifs that are repeated roughly every 5 centimeters. These patterns are either geometric, with the zigzag herb being the most popular, or consist of scrolls of clouds or mountains intermingled with fantastic creatures and occasionally fortunate characters. The zigzag herb is the most common of these geometric patterns. The rectilinear motifs were transferred from the woven materials to the Luoyang bronze mirrors and also appeared in lacquer and silk paintings; and the curvilinear scroll motifs, which are not natural to weaving, were probably adapted for embroidery by the rhythmic conventions of lacquer painting, which also provided scroll motifs for inlaid bronzes and silk paintings. In addition, the rectilinear motifs were transferred from the woven materials to the Luoyang bronze mirrors As a result, the cohesiveness of the art of the Han Dynasty can be attributed to the interaction that existed between the many forms of Han art. 
The love of brilliance, color, and excellent craftsmanship that was prevalent in Chinese culture is seen in Ming and Qing fabrics. Flowers and dragons stand out against a background of geometric designs that date back to the late Zhou (1046–256 BC) and Han dynasties in the elaborate textile motifs. These designs may be seen on items from both dynasties. There were mainly three different styles of clothes used during the Qing dynasty. The chaofu was an extremely ornate ceremonial court clothing; the emperor's robe was adorned with the 12 auspicious symbols detailed in ancient ritual writings. Princes and high officials were permitted nine symbols or fewer, depending on their status, but the emperor's robe was adorned with all 12 symbols. The caifu, often known as the "dragon dress" or simply "hued dress," was a kind of semi-formal court attire in which the five-clawed (long) imperial dragon or the four-clawed dragon served as the primary design feature (mang). In spite of the numerous pomp regulations that were enacted during the Ming and Qing centuries, the five-clawed dragon was only rarely used to designate objects that were intended solely for the emperor. The eight Buddhist symbols, the symbols of the eight Taoist immortals (Baxians), eight precious items, and other auspicious tools were utilized as symbols on the dragon's robes. Additionally, the dragon's garments featured other fortunate devices. The "tangerine squares" were emblems of civil and military rank that were placed to the front and back of official Ming robes. The Manchus altered these emblems to fit their distinctive clothing and made them a part of their culture. 
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