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When we hear the term "Persian carpet," we are brought face-to-face with a lengthy and eventful history full of both highs and lows. This geographical region of the world is home to what is likely the world's oldest carpets, which were woven here.

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The Iranian carpet is a full-view mirror of Iranian art and culture, and it also reflects the country's genuineness. The Iranian culture and the hand weaving craft have both contributed to the preservation of this original kind of art. persian carpets prices

Weaving carpets is one of the oldest and most traditional arts practised by Iranians. They are known for the quality of their work. It is believed that an Iranian piece from the Achaemenid period is the world's oldest carpet, and it dates back to that time period. The main point to take away from this is that not only is this form of art historically significant, but it is also currently enjoying a surge in popularity across a variety of countries and communities. One of the primary reasons for this art's enduring popularity is the exquisiteness with which it combines form and function. By focusing on the aesthetic qualities of the carpet's text and border, artists in Iran have created a one-of-a-kind piece using the traditional Iranian rug as their canvas. Iranians have long showed a desire to employ hand-woven carpets in their homes, and they have endeavoured to bring more beauty and warmth to their abodes by making use of this one-of-a-kind art form. It is helpful to have some familiarity with the many varieties of Iranian carpets before making a purchase, as this will allow for a more informed decision. This article will introduce you to some of the finest Iranian carpets as well as other types of carpets and the designs that can be seen on them in an effort to acquaint you with the true Iranian art form. The Iranian carpet is a representation of art, originality, culture, and cultural brilliance. Iranians were some of the first people to start weaving carpets, and they are the ones who, over the course of time, elevated this art form to a degree of perfection with their precision, originality, and taste. Because of this, carpets are often seen as a symbol of Iranian culture and art. Chinese manuscripts relating to the Sassanid dynasty are the source of the earliest known evidence of Iranian art in the form of carpet weaving (224-641 AD). Since the time of the Achaemenids, there is evidence to suggest that carpets have been used frequently in public spaces. It is important to remember that many of the materials that are used to produce carpets, such as wool, silk, cotton, and so on, deteriorate over time. Because of this issue, it can be challenging for archaeologists and historians to determine how old a carpet actually is. It is stated that Alexander the Great was startled and delighted when he saw the exquisite Iranian carpets in Pasargad. However, historical evidence and documentation point to the existence of great carpets in the Achaemenid court.

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Weaving carpets was considered both an important art form and a lucrative commercial venture during the time of the Ilkhanids and Seljuqs, respectively. According to legend, the mosques of that era were adorned with priceless Iranian carpets throughout their interiors. The antiquity of this historical art is demonstrated through the use of numerous historical quotations. As an illustration, there are quotations from Xenophon that say: Wide carpets were used at the Achaemenid court; these carpets were eventually replaced by other carpets because they had become worn out and needed to be replaced. Kenneth Crosha, an archaeologist working in Europe, has also written about this topic: In the distant past of Iran, there was a time when the city of Persepolis was torched by Alexandrians, and the opulent and majestic Achaemenian carpets were destroyed in the flames. In addition, Rudenko has written about this: Alexander placed luxurious carpets with intricate weaving in front of his throne to make it look more like a palace. Pazyrik carpet St. Petersburg's Hermitage Museum features a carpet with a Persian design. The Pazyryk carpet, which was discovered by a Russian archaeologist in the frozen grave of one of the Scythian rulers in the years 1326-1328, is considered to be the oldest carpet in the world. It was given this name because the carpet was found in the "Pazyryk Valley" of Russia, which is where its name originates from. In addition to this antique carpet, there were many other artefacts. This rug is constructed out of wool, and it is square in shape, with each side being 1.98 metres in length. The Pazyryk carpet is embellished with a floral border as well as depictions of cavalry, grazing deer, and mythological monsters that had the head of an eagle and the body of a lion. After analysing the structure of the carpet as well as the paintings on it, Sergi Rudenko, the person who was responsible for its discovery, realised that the patterns on the carpet had a striking resemblance to those seen on the reliefs in Persepolis. In spite of the fact that the vast majority of researchers agree that this carpet dates back to the time of the Parthians or the Medes, there are still a variety of theories concerning the carpet's true age.

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The Pazyryk carpet can be seen in its original location at the Hermitage Museum in St. Petersburg. Gebbeh is a form of hand-woven Iranian carpet that differs from other types of Iranian carpets in that it is typically more dense and rough than other Iranian carpets. The natural wool yarn and natural plant colours that are utilised for the rug's texture are two of the characteristics that set this type of carpet apart from other types of carpets. This is one of the characteristics that distinguishes this type of carpet from other types of carpets. Carpet woven by hand that is lint-free A rug is a sort of lint-free rug that is often woven by hand. Natural wool is most commonly used in the weaving process. In the texture of these sub-sizes, geometric motifs like as rhombuses, hexagons, quadrangles, and triangles are frequently employed. Sometimes natural and animal shapes are also used in the depiction of rugs. The process of weaving a carpet involves a number of phases, including chain weaving, pulling the skeins, tying the koji wood, and fixing the skeins. Carpets can be simplified into three distinct groups based on their surface treatment: those that are woven, embossed, or varnished. Original handwoven Jajim product Flat braids known as jajim are characterised by their length to width ratio of long to short. Jajim is a finely woven fabric that is noticeably softer than the carpet. Jajim is weaved in a variety of areas, and the locals of each area give it a specific name that is unique to their area. For instance, the name Jajim is translated to "Jol" when spoken in Ilam. Iranian carpets from the northern regions; carpets with unique designs There are a number of regions in Turkmenistan, including Rudbar, Klardasht, and Bandar Turkmen, that are renowned for the production of carpets with a triangle design. The hue of dark red predominates throughout the majority of Turkmen carpets. The Tabriz carpet is regarded as one of the finest examples of Iranian carpets. The tradition of weaving carpets in Tabriz may be traced back to the Safavid era, and carpets woven in Tabriz are widely regarded as some of the finest woven carpets produced in Iran. Silk or wool are typically used as the base material for making Tabriz carpets.

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The following are some of the qualities that might be highlighted in relation to Tabriz carpets: The woven carpets in this category are known for their high level of craftsmanship. Most of the time, they are weaved in tall rows. Most carpets woven in the Tabriz style have a rather low pile. These carpets have a three-dimensional appearance, which is achieved through the application of the light-and-shadow technique to the surface texture of the carpets. Kashan carpet The height of the bed in Kashan woven carpets is around average, and the majority of the carpets that are woven in this region are extremely fine and delicate. In the past, the hues of the carpets from this region were formed by colours with a high degree of contrast. However, in recent times, in order to cater to the preferences of both customers and the market as a whole, the texture of the carpets from this region has begun to incorporate more muted colours. The typical designs seen in Kashan rugs and carpets are mostly composed of various combinations of ornamental motifs. It is possible for ivory, grey, brown, and tobacco to be the only colours used in carpets and rugs made in the Kashan style. The Qom carpet is a weave that exudes elegance. It was initially popular among the nomads and villagers of Qom to engage in the carpet weaving industry. However, due to the importance of this industry in trade, it eventually expanded to other regions of this province as well. The first Qom woven carpets to appear on the market were made with threads that were not particularly fine. However, throughout time, Qom artists began to weave very fine and regular carpets using their creativity and aesthetic sense. The sophistication and orderliness of the carpets that are woven by hand in Qom give the impression to the observer that the carpets were produced by a weaving machine. The most well-known and sought-after handwoven carpets from Iran may be found in the towns of Qom, Tabriz, and Kashan. The tanraj, mahramat, mihrabi, and shikargah motifs created by Shah Abbasi are some of the most often seen patterns on Qom carpets. Initially, the range of colours used in Qom woven carpets was restricted to four to six colours; but, as time progressed, the range of colours used increased; and now, more than forty different hues, each of which is distinct, are used in the carpets of this region. The cities of Tabriz, Kashan, and Qom are credited with producing some of the finest examples of hand-woven Iranian carpets. On the other hand, the type of carpet that is ideal for you depends not only on the qualities of the rugs themselves but also on your personal preferences and preferences in general.

Persian carpets

Persian carpets have various patterns and designs and here are the most famous patterns. In order to establish a comprehensive classification of carpets made in Iran, we can refer to the following classification: Patterns are found in both ancient and Islamic artworks.

Shah Abbasi's designs
Slimi designs
Modified design
Layout plans
Afshan designs
Bote Joghe patterns
Turkmen designs
Tree designs
Flower designs
Hunting plans design
Clay designs
Patterns of fish
Potted designs
Geometric designs
Mahramat designs
Mehrabi/Altar designs
Combined designs
Tribal designs
Iranian carpet symbols

The audience can have a better grasp of this art form if they are familiar with the symbols used in Iranian carpets. The following will provide an overview of some of the symbols that appear most frequently in Iranian carpets.

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The depiction of Gol Teke as an octagon adjacent to an oval conveys the bravery and persistence of those who choose to make their homes in the mountains. The original meaning of this emblem was "mountain goat." The diamond pattern, which is woven with rays projected outwards in the drawing, is considered to be religiously significant in eastern cultures. The word "qaghag" can also mean "ram," and this particular motif is woven in two different ways to represent both the ram's limbs and horns. These three designs are frequently used in Turkmen carpets and hold a significant amount of significance for Turkmen weavers. Weavers and audiences alike agree that the bird design is one of the most common and well-liked of all patterns. Not only is the bird given substantial attention in Iranian works of art, but it is also held in very high esteem in the country's literary works. The Simorgh drawing seen in Iranian carpets, which is coupled with a message, gives the carpets a unique appearance and causes them to have a significant meaning. It is important not to lose sight of the fact that this image is in no way comparable to the one depicting a hen and a tree (two chickens sitting on a tree branch). This picture presents a metaphor for life in the form of a tree. The chickens in this image are frequently seen facing each other, and in some instances they are seated back to back.