The popularity of Persian carpets and rugs is due to a number of factors, including their exquisite patterns and designs.
Persian carpet patterns
Because they are available in such a wide variety of patterns and designs, Persian carpets are the most desirable and sought-after by people from all over the world. Due to the fact that carpets are woven in various regions of the country, their patterns and themes vary depending on their place of origin. In addition, the events that occured throughout the extraordinarily long history of Persian carpets had a significant impact on the carpets' patterns and designs as they evolved over time. Sergei Rudenko, a Russian historian and archaeologist, discovered the Pazyryk Carpet in 1945, making it one of the world's oldest carpets. It is believed that the Pazyryk Carpet is approximately 2400 years old. There are around 20 basic and essential patterns and designs used in Persian carpets, and many of these designs have numerous sub-designs. The Afshan pattern, which can be found on both hand-woven and machine-woven carpets, is recognized as one of the most significant and well-known Persian carpet designs. Today, major carpet manufacturers and cities throughout the country, including Kashan, Isfahan, Qom, Mashhad, Tabriz, and Nain, utilise this pattern in their work. 
Persian carpets patterns history
By closely researching Persian carpets over time, we can learn how patterns, materials, and shapes have changed and evolved throughout history. We want to show how Persian carpets have evolved over time through the use of diverse technologies, as well as how to use and maintain them. As previously established, the first carpet was woven between 300 and 400 AD by the Achaemenians. Pre-Islamic era patterns are the patterns and motifs that arose throughout this time period, and some of them are quite attractive. The majority of the Islamic era, notably when Timorese were in power, is an important period in Persian carpet design history. Following a lengthy conflict, King Shahrukh directed the finest carpet weavers to manufacture gorgeous carpets. Although no carpets from this era exist today, images of them can be found in some prestigious art galleries in prestigious locations. The Safavid era, during which carpet weaving grew rapidly throughout Iran, is regarded as the most important time in Persian carpet history. Shah Abbasi's designs, which are still frequently used today, are the most prominent pattern that has remained from this historical period. About 1500 carpets survive from this golden era, and the most significant feature of the era is that carpet weaving expanded from rural to urban regions, and the bulk of Persian carpets are now knotted by urban residents. The greatest changes occurred during the Qajar period, particularly during the reign of King Nasir Al-Deen, who exported and introduced Persian carpets to other nations, particularly Othman (Turkey). Modern carpet weaving employs a broad variety of patterns and motifs, and Persian carpets are extensively distributed around the world. 
Persian carpets patterns name
Iranian carpets are manufactured in a variety of designs and patterns and here we name the most important Iranian carpet patterns.
- Afshan
The Afshan pattern is characterized by the flowers, leaves, and branches being dispersed and unrelated in the carpet's text.
- Shah Abbasi
The rationale for calling these patterns is the presence of flowers known as Shah Abbasi. In addition, branches and leaves in the text and the border of the carpet, make up the majority of the map.
- Slimi
This design's primary form is created by the branches between the leaves, which are typically derived from trees and plants there are numerous forms of slime, and this pattern typically recurs in most formats
- Bote Jogheh
These patterns are the Iranian Sarkaj rugs known as Joghe rugs and are seen in designs of all forms and sizes.
- Tree Plant
Despite the fact that plants and trees are always employed in an abstract manner in the design of Persian carpets, this style of carpet attempts to have a design that closely resembles nature and trees.
- Hunting Ground
In the majority of designs of the hunting ground, wild creatures are shown. However, the designs of the hunting ground also typically include information on the tree patterns.
- Brick or Frame
This design is composed of polygonal frames, with Islamic frames, Kerman Quranic frames, and column frames as subgroups.
- Turkmen or Bukhara
In terms of geometry and broken lines, the pattern of Turkmen carpets resembles the designs of the tribal and nomadic people, which are woven without a plan and include a variety of sub-designs.
- Fish swimming in pairs
This plan is similar to indigenous and native plans but its texture is mental and not derived from a map. It is one of the most desired and nice patterns which has many sub-designs.
- Gol Farang
The flower design combines traditional Iranian patterns with actual flowers, particularly red blooms, and features bold and vibrant hues, especially red color.
- Mehrabi (Dome)
Decorations including lanterns, columns, capitals, flowers, and leaves have been added to the main design of the Mihrab pattern.
- Potted Plan
In this design, the size of the vase's form is frequently variable and occasionally, a large vase filled with flowers covers the entire carpet
- Mahramat
In this design, the entire length of the carpet is divided into multiple parallel rows, and inside these rows are designed such as Bote Jogheh, Slimi or Khatai, as well as other flowers and leaves.
- Tribal Patterns
These designs belong to various tribes and nomadic groups which are among the oldest and most unique in Iranian carpet weaving; they are the product of the minds of local carpet weavers, who mirrored nature and their living surroundings as simply as possible in the design of these rugs
- Geometric patterns
As implied by the name of patterns, all of the designs in this group are made geometrically and with the use of angled lines.
- Contagious design
The purpose of a pattern is to repeat a small portion of a design along the length and width of the carpet.
- Modified Patterns
The majority of this group's designs are extremely similar to the carpet designs of Iran's border regions, bordering countries, and even other nations; for this reason, they are referred to be adaptations, such as Caucasian and tapestry designs.
- Islamic Architecture Patterns
These designs were inspired by architecture, architectural tiles, and the geometric and decorative shapes of structures. Carpet designers have altered the primary designs and produced subsidiary designs throughout history. 
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